• home
  • read
    • online lit
    • the magazine
    • barrelhouse books
    • news and updates
  • write
    • submission info
    • writer camp
    • New Beginnings
  • events
  • shop
  • about
    • general
    • amplifier grant
    • Newsletter Sign Up
  • Menu

BARRELHOUSE

  • home
  • read
    • online lit
    • the magazine
    • barrelhouse books
    • news and updates
  • write
    • submission info
    • writer camp
    • New Beginnings
  • events
  • shop
  • about
    • general
    • amplifier grant
    • Newsletter Sign Up

hit us up

twitter
facebook
instagram
yobarrelhouse@gmail.com

 
41rR6toV4gL._SX328_BO1,204,203,200_.jpg

BARRELHOUSE REVIEWS: THE EVOLUTION OF HILLARY RODHAM CLINTON BY SONYA HUBER

July 04, 2016 in Series

REVIEWED BY WENDY BESEL HAHN

 

As a Bernie supporter, a healthcare reform activist, and the granddaughter of a socialist who fought against the Nazis, Sonya Huber is uniquely poised to write The Evolution of Hillary Rodham Clinton. Huber is not my father-in-law’s political pundit, but rather writes to people “who have been alive and of voting age since the 1990s.” I’m her target audience—a forty-something, suburban soccer mom who first voted for Bill Clinton in the 1992 presidential election—looking to explain my vague allegiance to Hillary.  During an election cycle in which political coverage often comes across as a farce, it is refreshing to read a sincere exploration of a complicated political figure.

With over 250 footnotes in a concise 188-page text, Huber examines Hillary Clinton’s evolution from her early political life as a Republican at Wellesley College to her current role as presumptive nominee for the Democratic National Convention. There are moments when the research overtakes the commentary, but for the most part, Huber navigates her readers through great breadth and depth along the journey offering balanced views on her subject.

In her first chapter, Huber states, “looking at Hillary is like staring into a set of angled dressing-room mirrors and seeing images of the United States cast backward into themselves into infinity. Hillary’s face represents all of what we want to escape and cannot, or all the hopes we had that were partially realized or were outright crushed.” Moments like this keep Huber’s writing accessible.

Unfairly or not, President Bill Clinton’s record is often ascribed to Hillary. Several early chapters focus on how his position as a “New Democrat” led to watered down healthcare reform, stringent crime legislation resulting in mass incarceration, compromises on welfare reform that further separated the haves from the have-nots, and don’t ask don’t tell legislation for gays in the military. Huber teases out these “legacies” with an eye for understanding how Hillary Clinton might lead as President of the United States.

Huber tackles meaty topics related to Hillary’s political life independent of her role as First Lady of the United States. Chapter titles include: “Hillary is a Woman, and That’s Apparently a Problem”; “Is Hillary a Feminist?”; “Hillary is a Capitalist”; “H is for Hawk”; and “Foreign Policy Nightmares and Quagmires.”

Readers looking for mere sound bites will be sorely disappointed as Huber presents evidence and comments on the nuances involved in political life.  Some of her most astute observation relate to voters themselves:

Ultimately, the tension of the 2016 primary season had to do with the large-scale push to find an “outside” candidate. More than half the U.S. wants off the ride, and many were drawn to Sanders or Trump for that reason. These days, American politics is best understood not in a Right vs. Left spectrum but as a quadrant, with top left and right being comfortable with insider politics, money in politics, corporate interests and lobbying. Clinton resides in the upper-left. The electorate, I would argue, is U-shaped, and a surprising number of working-class and middle-class men at the bottom of the of the U in particular see themselves as equally pulled to Trump or Bernie Sanders.

Despite her criticisms of Hillary Clinton and her previous vote for Sanders during the Connecticut primary, Huber clearly states she will cast her ballot for Clinton in November with this caveat: “ No one should confuse a vote for Clinton with support for every single one of her positions or actions; that’s not what a presidential election has ever meant. The choices are too narrow. No matter what happens, our next job is to keep up the level of political engagement—with respect and dignity for all—that will help us develop a livable future.”

Aside from Huber’s voice and perspective, part of what makes The Evolution of Hillary Rodham Clinton unique among books on political figures is its origin. Eyewear Publishing, an independent press based in London, England, created the series Squint Books: Brief Books for a Busy World. Squint’s other titles include, but are not limited to, Bernie Sanders—The Essential Guide by Okla Elliott and Donald Trump—The Rhetoric by Oliver Jones.

When anything and everything seems fair game, isn’t it fitting that Huber’s book offers a way into American political discourse with the support of a British publishing house?


Wendy Besel Hahn has an MFA from George Mason University. Her articles and essays have appeared in The Washington Post, Redivider, and Front Porch Journal. She is working on a memoir about growing up non-Mormon in Utah titled Gentile Among Saints. To read more of her work, please visit her website: www.wendybeselhahn.com.

Tags: Wendy Besel Hahn, Sonya Huber, Reviews, Nonfiction, Barrelhouse Reviews, politics
Prev / Next

ONLINE LIT

Previous Online Issues & Features:

Ask Someone Awesome
Barrelhouse of Horrors
Brothers & Sisters
The Island of Misfit Lit
National Poetry Month 2017
Remembering David Bowie
Remembering Prince
Road Trips: The Desi Issue
Stupid Idea Junk Drawer
The 90's Issue
The Latinx Issue (Holiday 2018)
The Something Issue (Spring 2019)
The Swayze Question
The Wrestling Issue

online lit RSS

Lit Archives

Archive by Date
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • November 2013
  • September 2013
  • June 2013
  • October 2012
  • August 2012
  • July 2012
  • May 2012
Archive by Tag
  • "Alligator Man"
  • "Money Bag Shawty"
  • 1990s
  • 3-point Night
  • 90s Issue
  • A Girl Goes into the Forest
  • A Short Move
  • A Tribute to Anthony Bourdain
  • AK Small
  • AWP
  • AWP15
  • Aaron Angello
  • Aaron Burch
  • Aatif Rashid
  • Abby Reed Meyer
  • Abeer Hoque
  • Able Muse Press
  • Adam Crittenden
  • Adam Nemett
  • Aditya Desai
  • After the Bomb
  • Ahsan Butt
  • Aimee Parkison
  • Alan Chazaro
  • Alessandra Castellanos
  • Alex Carrigan
  • Alex Ebel
  • Alex Espinoza
  • Alex G. Carol
  • Alexandra Chang
  • Aleyna Rentz
  • Alia Trabucco Zeran
  • Alia Volz
  • Alicia Thompson
  • Alison Grifa Ismaili
  • Alison Taverna
  • Alison Turner
  • Alissa Nutting
  • All You Can Ever Know
  • All in the Family
  • Alligators
  • Allison Casey
  • Allison Joseph
  • Ally Malinenko
  • Allyson Hoffman
  • Alpha
  • Alternating Current Press
  • Alysia Sawchyn
  • Alyssa Gillon
  • Amber Edmondson

NEWS & UPDATES!

Featured
Nov 19, 2021
Barrelhouse Write-ins!
Nov 19, 2021
Nov 19, 2021
Aug 5, 2020
Announcing: Barrelhouse’s Funky Flash Fall
Aug 5, 2020
Aug 5, 2020
Mar 15, 2020
Barrelhouse Launches the Spring 2020 READ-IN and WRITE-IN
Mar 15, 2020
Mar 15, 2020
news and updates RSS

NEWS ARCHIVE

Archive by Date
  • September 2014
  • December 2014
  • April 2016
  • May 2016
  • July 2016
  • October 2016
  • December 2016
  • August 2017
  • September 2017
  • November 2017
  • January 2018
  • February 2018
  • March 2018
  • April 2018
  • May 2018
  • June 2018
  • August 2018
  • February 2019
  • August 2019
  • March 2020
  • August 2020
  • November 2021
Archive by Tag
  • Aforementioned Productions
  • Allison Titus
  • Barrelhouse Books
  • Barrelhouse Presents
  • Book Reviews Guidelines
  • Chris Gonzalez
  • Chris Tonelli
  • Christmas
  • Editors
  • Kamil Ahsan
  • Michael Konik
  • Nicole Steinberg
  • Poetry
  • Tabitha Blankenbiller
  • Tara Campbell
  • Thanks
  • Washington DC
  • Write-in
  • Writer Camp
  • chapbooks
  • fiction
  • interviews
  • news
  • novel
  • open submissions
  • poetry
  • reading series
  • reviews editors