Denenberg has woven together centuries, tangling time periods. The antiquated meeting the modern mirrors how our impact here on earth is not so easily erased. What we do now does not go away.
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The Dragons, The Giant, The Women is a captivating story of Moore’s struggles with trauma, racism, self-love, and self-identification. Yet her family is its beating heart.
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Dixon’s words also add to a greater discourse about what it means to see and not be seen, what it means to hunger and not be filled, and how this leads to a desiccation of body and spirit.
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Chang’s simplicity is a ruse; she introduces you to a little pile of ordinary ice, and before you can register its coldness, she shatters your big barge with her bigger iceberg.
Read MoreSheila Squillante’s Mostly Human, winner of the 2020 Wicked Woman Prize from Brickhouse Books, is a different kind of poetry collection. In this interview, Barrelhouse sat down to talk with Sheila about Mostly Human, the Eighties, and her process in writing these wonderfully unique poems.
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