• home
  • read
    • online lit
    • the magazine
    • barrelhouse books
    • news and updates
  • write
    • submission info
    • writer camp
    • New Beginnings
  • events
  • shop
  • about
    • general
    • amplifier grant
    • Newsletter Sign Up
  • Menu

BARRELHOUSE

  • home
  • read
    • online lit
    • the magazine
    • barrelhouse books
    • news and updates
  • write
    • submission info
    • writer camp
    • New Beginnings
  • events
  • shop
  • about
    • general
    • amplifier grant
    • Newsletter Sign Up

hit us up

twitter
facebook
instagram
yobarrelhouse@gmail.com

 
rain-2538430_640.jpg

Oh, Let's Ride: Music, Food, and Troubled Older Men

September 14, 2018

By Kelsey Allagood

When you identify strongly with a person--so strongly that when they speak, it’s like they’re narrating your inner monologue, or so strongly that you reconsider every choice you’ve made in life just because you want to be more like them--it’s pretty unsettling when that person ends up killing themselves.

In my case, that person was Anthony Bourdain.

My sophomore year of college, my boyfriend and I watched reruns of his Travel Channel show, No Reservations, in my dorm room. The television, provided and hooked up to the campus cable thanks to my younger roommate, sat on a stack of plastic tubs that had carried our books and clothes and pithy expressions of our young selves (fairy lights shaped like leaves in my case, a gallon tub of Jelly Bellys in hers). I would sit in my hard wooden desk chair, my boyfriend in crammed in a pink butterfly fold-out chair, also courtesy of my roommate. We would eat microwave popcorn or thin peanut butter sandwiches made with the heels of bread while watching Bourdain slurp noodles in Vietnam or hang with Bedouins in the Egyptian desert.

Sitting there in a sickly-lit dorm in a boring end of Florida, holy shit did I want to be him.

A student of international studies, I would fantasize about getting my own Travel Channel show like No Reservations in between courses on third world politics and international literature. My show, however, would be for vegetarians: Bourdain’s almost affected air of carnivorous gluttony grated on me, a lapsed vegetarian who gave up the lifestyle for good when I studied abroad in Belgium--not for any palate change, but for the simple fact that I couldn’t eat for shit in northern Europe as a vegetarian, and I got tired of my host family feeding me pineapple pizza and fake “chick’n” fillets.

I saw a lot of myself in Anthony Bourdain: a pervasive fascination with the minutiae of other cultures, a love of Iggy Pop, an almost fanatical compulsion to travel, sarcasm, dedication to women’s liberation, a love of curse words used liberally and bitingly.

I also disagree with plenty of his strongest opinions: namely, his disdain for vegetarianism and adoration of all animal parts. Fuck you, Tony, pork belly isn’t even that good.

When I found out that Bourdain had died of suicide, I kept thinking that it was a mistake--that he had faked it, or the news was wrong, or it was a stunt, as unrealistic as that seemed. It was like the dreams I had in the first two years after my dad died. In those dreams, my dad would be alive even though I knew, I knew he was dead. I had picked up his ashes from the funeral parlor, held them in my lap, surprisingly heavy. In those dreams, his death and all the earth-shattering changes to my life in its wake were waved away with the dream-language equivalent of “lol jk.”

My dad died in 2014 (motorcycle, tractor-trailer). He was 64.

Ah, yes, troubled older men--the root of all my neuroses. My dad was on antidepressants, mentally unstable thanks to a traumatic brain injury picked up in the line of duty as a Miami cop in the ‘80s. We didn’t get along. He loved me; his overprotectiveness stifled me. I’ve never allowed another man to scream into my face the way he did. I still listen to the Eagles and to Jackson Browne when I miss him.

Our relationship was complicated, to say the least.

My relationship with Tony was complicated as well, though without the pesky reality of knowing him in person.

Years later, same boyfriend. We binge-watch (that’s a term now) on Netflix (that’s not just DVDs now) Bourdain’s CNN show, Parts Unknown. The theme alone sang to me: I took a walk through this beautiful world/Felt the cool rain on my shoulder/Found something good in this beautiful world/I felt the rain getting colder…

That mix of awe at this world and the cold reality of everyday life--man, that was good shit.

My relationship with Tony had evolved, too. I no longer wanted to start a vegetarian alternative to his show. I appreciated his show; his opinions on vegetarians remained strong yet he seemed less obnoxious about it.

On the day I found out he died, I went to work as usual, but found I couldn’t concentrate. I work in Washington, DC now, writing funding proposals for international democratic development. On that Friday, I began tearing up at my desk just before lunch and decided to take the rest of the afternoon off. I went home, took a nap, then went outside and sat at the picnic tables near my apartment complex in the early June sun.

I thought about why Tony’s death had affected me so much. His shows were about compassion and understanding of other cultures, about appreciating them in all their flaws and beauty. Not romanticizing or separating them from their political histories. And I think Bourdain means a lot to people like me--people who work in fields that require a deep understanding of other peoples’ histories, because of that sharp cultural awareness.

I studied international politics, and I appreciate that Bourdain never tried to sweep over the ugly or the political--I liked him because he was unafraid of tackling these sensitive issues on what was ostensibly a cooking and travel show. I saw a post on Twitter about how Bourdain’s shows were some of the only shows on TV today that actively pushed us to feel empathy for other cultures.

And it can feel, today especially, that empathy is losing. Compassion is losing.

But it’s not. I think Trump’s election has helped many of us realize that we need to demonstrate our compassion, that we need to reach out to others, not just sit on it, feeling things but not acting. But we must practice self-compassion, too. I am very, very bad at this. I am crueler to myself than I would ever consider being to another person. I think a lot of us compassionate people are like that--we focus our compassion well outward instead of inward first because, for some reason, we feel undeserving of it. But we know others do. That’s the difference today. There are those who cannot feel compassion for themselves and thus believe that no one else deserves it--and those who know intuitively that all people deserve compassion, but when they can’t give it to themselves they turn it outward, and give all to others. Often, they give too much.

Goddamnit, Tony: depression lied to you. I know it lied because it’s lied to me, too. In high school, before I’d ever heard of Anthony Bourdain, I suffered from depression. I toyed with the idea of suicide, though never enough to actually attempt it.  But I cannot forget that feeling: the one that told me that everyone would be better off without me. That my parents--who loved me fiercely, unconditionally, unendingly--would be better off without me. My suicide would have destroyed them. But that’s depression: it is cruel, relentless, and illogical. It tells you that you are a burden, and that your absence would benefit the world more than your presence.

It fucking lies.

I was able to get on antidepressants. I moved away from home and from my overbearing father. Both of these things contributed to a drastic improvement in my mental health. I’m still on antidepressants and I see a therapist weekly. Both of these things contribute to the continued balance of my mental health.

I see myself in Anthony Bourdain. Even in his death, I see myself and the lies that depression hissed in my ear. I see my dad, and everyone who has lost a man they barely knew but wished they had known better.

I also see survivors. I see lovers, dreamers, the lotus that blooms in mud.

I see the Parts Unknown episode in Miami, land of my forebears. And “The Passenger” plays over the end credits while Tony walks down the beach:

 

Get into the car
            We’ll be the passenger
            We’ll ride through the city tonight
            See the city’s ripped back sides
            We’ll see the bright and hollow sky
            We’ll see the stars that shine so bright
            The sky was made for us tonight


Kelsey Allagood is a writer by night and a policy wonk by day (and vice versa). Her work has appeared in Menacing Hedge and in several school publications. She lives in Washington, DC.

Tags: Kelsey Allagood, HEARD, A Tribute to Anthony Bourdain, Oh Let's Ride: Music, Food and Trouble Older Men
Prev / Next

ONLINE LIT

Previous Online Issues & Features:

Ask Someone Awesome
Barrelhouse of Horrors
Brothers & Sisters
The Island of Misfit Lit
National Poetry Month 2017
Remembering David Bowie
Remembering Prince
Road Trips: The Desi Issue
Stupid Idea Junk Drawer
The 90's Issue
The Latinx Issue (Holiday 2018)
The Something Issue (Spring 2019)
The Swayze Question
The Wrestling Issue

online lit RSS

Lit Archives

Archive by Date
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • November 2013
  • September 2013
  • June 2013
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • May 2012
  • January 2012
  • November 2010
Archive by Tag
  • "Alligator Man"
  • "Money Bag Shawty"
  • 1990s
  • 3-point Night
  • 90s Issue
  • A Girl Goes into the Forest
  • A Short Move
  • A Tribute to Anthony Bourdain
  • AK Small
  • AWP
  • AWP15
  • Aaron Angello
  • Aaron Burch
  • Aatif Rashid
  • Abby Reed Meyer
  • Abeer Hoque
  • Able Muse Press
  • Adam Crittenden
  • Adam Nemett
  • Aditya Desai
  • After the Bomb
  • Ahsan Butt
  • Aimee Parkison
  • Akshay Ahuja
  • Alan Chazaro
  • Alessandra Castellanos
  • Alex Carrigan
  • Alex Ebel
  • Alex Espinoza
  • Alex G. Carol
  • Alexandra Chang
  • Aleyna Rentz
  • Ali Ruth
  • Alia Trabucco Zeran
  • Alia Volz
  • Alicia Thompson
  • Alison Grifa Ismaili
  • Alison Taverna
  • Alison Turner
  • Alissa Nutting
  • All You Can Ever Know
  • All in the Family
  • Alligators
  • Allison Casey
  • Allison Joseph
  • Ally Malinenko
  • Allyson Hoffman
  • Alpha
  • Alternating Current Press
  • Alysia Sawchyn

NEWS & UPDATES!

Featured
bhwriteina
November 19, 2021
Barrelhouse Write-ins!
November 19, 2021
Read more →
November 19, 2021
Announcing: Barrelhouse’s Funky Flash Fall
August 5, 2020
Announcing: Barrelhouse’s Funky Flash Fall
August 5, 2020
Read more →
August 5, 2020
March 15, 2020
Barrelhouse Launches the Spring 2020 READ-IN and WRITE-IN
March 15, 2020

Barrelhouse is launching two new programs designed to help writers and the literary community remain connected in the age of social distancing: the Read-In and the Write-In are free, online, community-focused programs that will provide a virtual space for readers and writers to continue to gather and practice writing and reading.

Read more →
March 15, 2020
news and updates RSS

NEWS ARCHIVE

Archive by Date
  • September 2014
  • December 2014
  • April 2016
  • May 2016
  • July 2016
  • October 2016
  • December 2016
  • January 2017
  • August 2017
  • September 2017
  • November 2017
  • January 2018
  • February 2018
  • March 2018
  • April 2018
  • May 2018
  • June 2018
  • August 2018
  • February 2019
  • August 2019
  • March 2020
  • August 2020
  • November 2021
Archive by Tag
  • Aforementioned Productions
  • Allison Titus
  • Amplifier
  • Barrelhouse Books
  • Barrelhouse Presents
  • Book Reviews Guidelines
  • Chris Gonzalez
  • Chris Tonelli
  • Christmas
  • Editors
  • Girls Write Pittsburgh
  • Kamil Ahsan
  • Michael Konik
  • Nicole Steinberg
  • Poetry
  • Tabitha Blankenbiller
  • Tara Campbell
  • Thanks
  • Washington DC
  • Write-in
  • Writer Camp
  • chapbooks
  • fiction
  • grants and awards
  • interviews
  • news
  • novel
  • open submissions
  • poetry
  • reading series
  • reviews editors