The structure of the book sometimes feels like looping the track, covering the same ground with a slightly newer perspective each time.
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Barrelhouse Reviews: Dreams Under Glass by Anca L. Szilágyi
The central conflict of the novel appears when Binnie reckons with that sizzling space between wanting to create and actually creating.
Read MoreBarrelhouse Reviews: Doom Town by Gabriel Blackwell
Gabriel Blackwell has a heart, and in Doom Town, he wants to break yours.
Read MoreBarrelhouse Reviews: DAYS OF DISTRACTION by Alexandra Chang
Chang’s simplicity is a ruse; she introduces you to a little pile of ordinary ice, and before you can register its coldness, she shatters your big barge with her bigger iceberg.
Read MoreBarrelhouse Reviews: LIKE A BIRD by Fariha Róisín
Every trauma survivor must become an autodidact of their own pain. By telling Taylia’s whole truth in Like a Bird, rather than flattening her into a more marketable heroine, Róisín locates Taylia’s experience within the body rather than as a response to the catalytic forces of plot.
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